Alla Giottos Oljemålningar

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Bilder

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52374

The Hermit Zosimus Giving a Cloak to Magdalene

1320s Fresco Magdalene Chapel

1775

The Lamentation

c1305

23303

The Lamentation (nn03)

c 1305 Fresco 200 x 185 cm 78 3/4 x 72 7/8 in Cappella dei Scrovegni,Padua

33311

The Lamentation of Christ

mk86 1303-1305 Fresco 185x200cm Padua,Arena Chapel

21151

The Lamentation of Christ (mk08)

1303-1305 Fresco.c.185x200cm Padua,Arena Chapel

1785

The Last Judgment 1

1305-13 Arena Chapel, Padua

1774

The Madonna in Glory

1310 Galleria degli Uffizi, Florence

33299

The Marriage Procession of the Virgin

mk86 1303-1305 Fresco

21139

The Marriage Procession of the Virgin (mk08)

1303-1305 Fresco.Padua,Arena Chapel

55909

The Meeting at the Golden Gate

mk247 1304-06,fresco,79x73 in,200x185cm,capella degli scrovegni(arena chapel),padua,ltaly

33252

The Raising of Drusiana,Cappella Peruzzi

mk83 c.1320

62973

The Seven Vices

1306 Fresco, 120 x 60 cm Cappella Scrovegni (Arena Chapel), Padua Despair {Desperatio) appears as a female suicide - a demon has taken hold other soul. Giotto here uses the painted marble niche in a most impressive fashion in order to display narrative details, such as the way the beam and the rope are fastened. Artist: GIOTTO di Bondone Painting Title: No. 47 The Seven Vices: Desperation , 1301-1350 Painting Style: Italian , , religious

52399

The Stefaneschi Triptych

c. 1330 Tempera on panel, 220 x 245 cm

44320

The Stefaneschi Triptych Martyrdom of St Paul

c. 1330 Tempera on panel

62954

The Stefaneschi Triptych: St Peter Enthroned

1330 Tempera on panel Pinacoteca, Vatican The picture shows the middle panel on the side showing St Peter. Peter sits, surrounded by angels and saints, on a simply constructed throne inlaid with Cosmati work. His right hand is raised in blessing, and in the other he holds the keys of his office. Before him, kneeling on the luxurious marble floor, laid out in perspective, are the hermit-saint Peter of Morrone to his right, and the donor Cardinal Stefaneschi, offering him the altar, to his left. Artist: GIOTTO di Bondone Painting Title: The Stefaneschi Triptych: St Peter Enthroned , 1301-1350 Painting Style: Italian , , religious

44368

The Suitors Praying

1304-06 200 x 185 cm

52379

The Virgin Receiving the Message

1306 Fresco, 150 x 195 cm

42608

The wedding to Guns De arouse-king of Lazarus, De bewening of Christ and Noli me tangera

MK169 details of the fresco decoration ca.1304-13 Scrovegni-chapel Padua

38431

Throning God mother with the child

mk137 1310 Tempera on wood chalkboard 325x204cm Galleria degli Uffizi, Florence

6905

Tondo with Angel sh

c. 1310 Mosaic, diameter 65,5 cm S. Pietro Ispano, Boville Ernica, Rome

6901

Vault fgt

1303-06 Fresco Cappella Scrovegni (Arena Chapel), Padua

44359

Verification of the Stigmata

270 x 230 cm

44337

View of a chapel

1304-06 150 x 140 cm

6898

View of the Church of San Francesco dfg

established in 1228 Convent of San Francesco, Assisi

52364

View of the Church of San Francesco established in 1228

Convent of San Francesco, Assisi San Francesco at Assisi consists of two superimposed churches

52365

View of the interior

Upper Church, San Francesco,

6902

View of the Peruzzi and Bardi Chapels fh

Santa Croce, Florence

52402

Vision of the Ascension of St Francis

1325 Fresco, 280 x 450 cm

52372

Vision of the Flaming Chariot

1297-99 Fresco, 270 x 230 cm

44349

Vision of the Thrones

270 x 230 cm

44333

Washing of Feet

200 x 185 cm

44369

Wedding Procession

200 x 185 cm

52384

Wrath

1306 Fresco, 120 x 55 cm

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Giotto

Italian 1267-1337 Giotto Galleries Giotto di Bondone (c. 1267 ?C January 8, 1337), better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance. Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. And he was given a salary by the commune [of Florence] in virtue of his talent and excellence." The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years." Giotto's masterwork is the decoration of the Scrovegni Chapel in Padua, commonly called the Arena Chapel, completed around 1305. This fresco cycle depicts the life of the Virgin and the life of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the commune of Florence in 1334 to design the new campanile (bell tower) of the Florence Cathedral are among the few certainties of his biography. Almost every other aspect of it is subject to controversy: his birthdate, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether or not he painted the famous frescoes at Assisi, and where he was eventually buried after his death.

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